Tush Kiyiz (pronounced “toosh Keeyiz”) are wall hangings, or wall panels. Originally used as decoration in yurts, (the traditional home of the nomadic Kyrgyz), they are to be found all over central Asia where yurts were used - including Kyrgyzstan, Kazakhstan, Mongolia and Upper Xinjiang in China.
Traditional Kyrgyz carpets (Kiyiz), Such as Shyrdaks and Ala-Kiyiz, are made from felt. Tush kiyiz, however, are not made from felt material but consist of a cloth background onto which is sewn a montage of bright embroidery designs.
The outline of a pattern is usually laid out on the piece of cloth to be used but more experienced (talented) craftswomen preferred to work without laying out the pattern first, which gave a greater freedom for improvisation.
Sometimes the design embroidered onto the material is simply an outline in a form of chain stitch but in many older tush kiyiz, the elements of the design are completely filled-in by row upon row Of fine chain stitching. Also, the colours in the older tush kiyiz tend to be softer than the brighter colours used in more modern examples because natural dyes were used.
No two tush kiyiz are alike. Often the work of a grandmother, who would make one as a present for a young married couple, some of them have the names of the couple, (or sometimes the seamstress - sewn into them - Some of them may also have a date sewn into them). A base or background of soft cloth is used, and onto this is sewn in relief, to create a montage, what are apparently abstract designs (but which are often abstract realizations of natural things, such as plants, flowers and even animals or, rarely, people).
Some tush kiyiz are folded and made into containers for clothes and other items - such cloth cupboards being also hung on walls - these are known as “tegche” (though tegche are not only made from tush kiyiz and many different types are found. Some of these tegche lost their functional use as bags and became purely ornamental). There are actually two main types of tush kiyiz. Some are large and one of this type would cover much of a wall. With this type, the middle of the wall panel is not sewn work but is made only of the Original material base. The sewn montage work appears around the edge, like a fringe, although triangular shaped pieces of it will protrude towards the middle of the panel. If you visit a Kyrgyz home, you will still very often see much larger types hanging on the walls.
Other tush kiyiz are smaller and would be used as headboards for beds or (since the bed often served also as a divan) as a divan covering. This type of tush kiyiz is now particularly hard to find, especially in good condition. Today, sadly, tush kiyiz are becoming much rarer. Nowadays, very few people live in yurts and although the tush kiyiz survived the transition into fixed houses, the skill is dying out as cheaper but less interesting machine made materials are available and as traditions change. A good tush kiyiz might have taken several months to make, although probably the grandmother who made it did not work on the design for more than a few hours a day, given all her other tasks.
It is now rare to find new tush kiyiz (though new shyrdaks are still common) and it is also rare to find any that are older than 40 or 50 years. Machine made variants of tush kiyiz are obtainable but these are much less interesting. They can easily be detected by studying their backs because a genuine hand sewn tush kiyiz will have many discontinuities (broken thread ends) where the needle was re-threaded as the work progressed